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Because they're not just seeing the world — they're building it.
Impossible Corners are illusion-based wall installations that make space behave... strangely. As you move, a floating object appears to twist and shift in impossible ways — revealing the hidden mechanics of perception itself.
Blending science and art, these pieces invite a moment of deep, quiet wonder: a felt realization that your mind doesn't just interpret reality — it constructs it.
And in that moment, something becomes viscerally undeniable.
You're not looking at a trick.
You're catching your perception in the act.
This isn't our first illusion. Our previous , "Slow Dance" , raised over $550,000 and now lives in over 9,000 homes around the world — a simple frame that made real objects move in slow motion.
Now, we're bending not just time, but space.
If often starts with a double-take: Wait... how is this happening?
Then you move, and the illusion strengthens . The visual cues streaming into your eyes confirm something completely impossible : an object floating in space, shifting with your position, orienting itself to your gaze.
Even once you understand how this works, the illusion doesn't vanish — it deepens . The more your mind tries to reconcile it, the more it reveals just how powerful, and limited, perception can be.
We are launching with three Impossible Corners models — each a different take on spatial illusion and perceptual shift.
Where will yours live?
And who will you blow away first?
The first time someone walked into my studio and saw one installed, they gasped, and slowly started moving around the space as if orbiting a magic trick. I realized then — it doesn't just look strange. It feels strange.
The illusion is deceptively simple — and even once you know how it works, it can still feel unbelievable. Three peel-and-stick panels (repositionable, paint-safe) are precisely aligned along the walls that meet in the upper corner of a room. Each decal is designed with carefully calculated visual cues that reinforce the illusion of an inverted space — making the corner appear to protrude outward instead of recede, flipping your sense of depth and reality.
This works because of the mathematics of perspective — when the decals generate the same visual input as if a floating object were present, the mind has no reason to reject that interpretation. Surprisingly, the illusion remains convincing even as you move —reinforcing its legitimacy and causing the brain to lock even more deeply into the perception of a rotating object suspended in the corner.
Thanks to an effect known as Gestalt closure, your brain connects visual clues into a single, coherent image — even if that image isn't actually 'there.' With Impossible Corners, the mind can either maintain the ordinary perception of the room, or it can flip into the illusion — but it can't hold both at once . The stronger the visual cues embedded in the graphics, the harder it becomes not to be pulled into the constructed, false reality.
One of the most profound and beautiful aspects of Impossible Corners is how it exposes that perception itself is a construction of the mind . Is seeing the illusion false? Is viewing the room in the "normal" way true? From a wider view, both are equally real — and equally false. Our entire 3D experience of space is not discovered, but generated.
Impossible Corners points to the underlying informational reality beneath any conception of space and time. We do not live in reality, we assemble it. This echoes a core insight of Buddhist thought, where the term emptiness (śūnyatā) refers to the constructed, interdependent nature of all appearances.
What is real if I can flip my perception inside out at will?
Impossible Corners is a quiet reminder of the mind's power — the power that gives rise to space, time, and everything within them.
Two major artistic influences shaped Impossible Corners : anamorphosis and Impossible Objects.
Before Impossible Corners , I was making paintings based on a technique called anamorphosis, or forced perspective . In this method, the image only makes sense from a specific point of view — move even slightly, and the illusion collapses.
One of the most iconic examples of anamorphosis comes from Hans Holbein the Younger's 1533 painting The Ambassadors . Across the bottom of the canvas, there's a grey smear — meaningless at first glance. But from an oblique angle near the edge of the room, that smear becomes a perfect skull. It's a hidden memento mori , a reminder that whatever power or knowledge The Ambassadors may hold, it all fades in time. Death winks at you from the corner. Bam!
What I discovered with Impossible Corners is that by designing directly into the geometry of the corner — where the three walls meet — I could create something new: a shape that appears to rotate as you move, no longer tied to a single viewpoint. The illusion becomes room-wide , and your entire 3D perception flips, no matter where you're standing.
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You might recognize the image below — a classic Impossible Object . Popularized by Oscar Reutersvärd, these are shapes that seem plausible at first glance, but on closer inspection, defy the rules of 3D space. They exist only in the mind's attempt to resolve the impossible.
I consider these another ancestor of Impossible Corners — flat drawings that trick the mind into building impossible forms from believable cues.
The illusion spans three walls — but most vinyl is way too sticky for indoor use — it can damage paint or leave residue when removed. We spent a long time sourcing a high-quality, repositionable vinyl that allows easy installation and clean removal — even reuse in another location.
The dimensions of our three designs are included below:
Installation is simple: use a ladder to access the corner, and apply the six decals. It takes me about 8 minutes, but if you have high ceilings or limited ladder experience, it may take longer. I recommend having someone assist.
No tools are required beyond a ladder — though a soft-edged scraper (or even a credit card) can help press the vinyl more securely onto the wall.
Wall texture plays a big role in the longevity of this piece.
Smooth surfaces like well-painted drywall are ideal. Some light to medium textures (eg light stucco) can still hold, but heavily textured surfaces like popcorn ceilings are not suitable — the vinyl will not adhere reliably.
Please check your wall and ceiling finish before purchasing. If you're unsure, feel free to reach out with a photo — we're happy to hold you confirm whether it will work in your space.
Impossible Corners are designed for a wide range of environments — from homes to shared spaces — and thanks to the removable adhesive, they're renter-friendly too.
Some perfect fits:
🌟 Final Note
This wall installation isn’t just decoration — it’s an experience that invites viewers to question what they see. By reshaping perception rather than space itself, it brings wonder, curiosity, and artistic depth into any room. A bold statement for those who love art that makes you think. ✨
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